You’re
mine, Yara. Finally, all mine. Sigh.
Much like the Legion of Super-Heroes trade, this one is also
tinged with regret for the title as a whole. Unlike the Legion,
where we regret what was lost, with Wonder Girl, we wonder what might
have been.
I
fell in love with the character of the Yara Flor/Wonder Girl at first
sight. It was Issue #3 of the series (9-16-21) where we first
met. I actively searched out for more with Issue #2 of Wonder
Woman: Future State (11-11-21) and Issue #4 (11-12-21). These are collected in this volume.
Later, I got an issue of Trial
of the Amazons (5-24-22), which is not included here. I could have gotten
more issues that were in this volume, but I’d actually passed on a
couple of issues when I noticed they weren’t drawn by Yara’s
creator, Joelle Jones.
I
embarrassingly don’t remember why I thought to look for a Wonder
Girl trade.
It had never occurred to me before that there would be one. The
character seems to have been sort of discarded at the moment. As
soon as I saw this was available, I definitively made up my mind what
to do with an Amazon gift card without further consideration.
I
won’t pretend I know the exact origin of this character. From some
Wiki-research, Yara was been created for a CW TV show, but the show
fell through. (I seem to vaguely remember a different Amazon DC
superhero show did nearly make it on TV, but the pilot failed
horribly. I can’t find it.) While the TV project was viable, Yara
was rushed out and highly promoted. When it was gone, she faded into
relative obscurity just as fast.
Why
not do a new Wonder Woman TV show? She’s a movie star now. (Also,
they tried that and it didn’t get past the pilot.) What about the
other two Wonder Girls? Okay, Donna Troy’s backstory and history
is likely not useful as is. (And there’d be the amusing
comparisons with the Debra Winger/Wonder Girl from the 70’s Wonder
Woman
show.) Cassie Sandmark, I think, might be a great choice with her
background, but not if you were making the show as part of the
Agenda. You’d want to replace the blonde, blue-eyed White girl
with someone ethnic and non-American.
Funny
thing, nobody apparently told Joelle not to make Yara beautiful and
charming, which she did. Yara is based on a real Brazilian Indian
model. From looking at the pictures, I can only tell you that Yara
is the most idealized-looking version of this woman imaginable.
(Model? Really?) I think the impetus to create this character was
to piss off comic book fans. They weren’t supposed to like her,
but it was awfully hard not to. This might have been the downfall of
the character with the company. When they found out that fans liked
the character, she had to be scuttled in favor of Nubia, an angry
black Amazon, or that precious trans-Amazon character.
This
volume isn’t the entire corpus of Yara Flor in comic book
literature, but it’s likely most of it where she was the starring
character. I was very intrigued by what I originally bought, if kind
of confused by the story. I thought getting the rest of the Wonder
Girl
series and the other issue of Future
State
would explain things. No, it was made worse. As well as the
character was designed and as fully formed as her personality was,
the story is there, but just not well developed. Yara’s story has
the appearance of being rushed out. Either that, or Joelle isn’t
much of a writer.

From
Issue #1, Yara is very much a normal girl, but with an exotic
background. Yara’s Amazon mother was executed in front of her by
unidentified supernatural entities. Sent away to the US, Yara was
determined to return, but only as a tourist. Her foster relatives
are introduced and dismissed without any further mention. Yara’s
American upbringing does give her a pretty good sense of humor and an
independent attitude.
Meanwhile,
the other Amazon tribes and the gods on Mount Olympus sense Yara’s
return and are disturbed by it. Indeed, many other superheroes sense
something important is about to happen. Yara is blissfully unaware
of all of it. She befriends her tour bus driver, who is obviously
smitten with her (like the readers). I’m sure Joao is modeled
after somebody, but I don’t know who. Recap stops for a moment.
This whole thing bit with the eyes of the world (and beyond) on Yara
doesn’t pay off and is not explained. Lower your expectations.
At
a tour destination, Yara is pulled underwater and encounters a river
goddess, who gifts her a magical bolo. Aren’t there pictures
beautiful? I don’t think I’ve ever seen an underwater scene so
well drawn. Also in Issue #2, Artemis and Cassie Sandsmark are sent
to find Yara by their respective Amazon tribes. Yara is attacked
while on an airliner by a couple of Amazon assassins, which brings
the plane down into a crash landing.
Issue
#3 I reviewed before without understanding what was going on. I’m
still kind of clueless. A Brazilian crocodile goddess, who’s not
explained until the annual issue later, tries to seduce Yara into her
service, but Greek god Eros, is the one who ends up claiming her by
stabbing her with one of his love arrows. Meanwhile, Cassie and
Artemis meet and reluctantly work together. It’s a fairly amusing
contrast in personalities. In Issue #4, Yara is trained as a warrior
on Olympus and meets her Pegasus. Hera then offers her immortality.
Issue
#5 was not drawn by Joelle, though Adriana Melo does a very good job.
I probably shouldn’t have just turned up my nose at buying this.
Melo does draw Yara pretty thick, though. Storywise, Yara refuses
Hera’s offer and has to fight her way out of Olympus. I’d like
to explain all of the complicated motivations here, but there aren’t
any. Yara just doesn’t want to work for Hera, who likely should
have worked out that deal before having her trained.
Cassie
meets Potira of Brazilian Amazon tribe and is taken to the tribe’s
home for a visit and they find Donna Troy already there. The
Brazilians plan on getting Yara back and marching on Themyscira, as
they feel that tribe has abandoned their duties.
Cassie
is kind of ditzy in this series. Not dumb, but a bit silly. This
was not experience with her in the Teen
Titans.
She was anything but that. (Annoyingly, I never reviewed the trades
or issues I had of that version of the team led by the Tim
Drake/Robin with Connor Kent/Superboy, but trust me, bro.) On the
other hand, she was kind of spacey in an origin recap issue (5-9-24), so I’m not sure which is the real thing.
This
panel made me laugh. There’s a couple of women at work that are
obsessed with capybaras, a giant, gentle rodent. They have a bunch
of stuffed ones (stuffed animals, not actual rodents) at their desks.
In
Issue #6, Yara ends up in Greek Heck. Her and Eros have a
heart-to-heart. He’s hurt that she refused to stay with him, but
she didn’t want to be used by Hera. She escapes and makes it to
the Gates of Olympus. On the other side, the Brazilians are ready to
storm the gates. Yara’s mother’s killers arrive to confront her.
Leila Del Duca does a good job on the art here and the next issue.
(It’s still not Joelle.)
In
the last issue, The Amazons storm the gate and a large fight ensues.
Yara unmasks one of the killers and it’s Eros. In their talk, Eros
declares his love. He says he was ordered kill her mom and seems to
imply that he’s also her dad. I think they walk, if not run, away
from this revelation in a future issue. It’s problematical to say
the least. Zeus intervenes and attacks, but Cassie talks him into
letting Yara go. Eros, for his part, releases Yara from his love
spell.
Umm.
. . the end? Okay, all that for this. I don’t know if this was
the planned end of the series or if they cut it off here, which is
what it looks like.
Next
is an annual. The crocodile goddess comes back and steals Yara’s
boyfriend, Joao. The Brazilian Amazon’s home is also under attack
at the same time. Yara defeats her. The end. The art is still not
by Joelle and only okay.
Future
State
actually came out before the Wonder
Girl
series, which is very confusing. Yara Flor is shown as the future
Wonder Woman, before her origin story. Like I said, this felt
rushed. DC wanted this character to be seen as legit as soon as
possible. These two issues are drawn by Joelle.
Yara
is trying to get into Hades to rescue her lost friend, Potira. She
gains an impish guide in Caipora. The imp takes her the entrance,
which looks like an airport terminal.
Yara
ends up having to fight it out with a Sumo wrestler to get the fee to
give to Charon to carry her over. The first issue is basically
filler. The second issue is the bulk of the story that I’d read
and been impressed with before. Yara makes a deal with Hades and is
able to find Potira, but isn’t able to bring her out. It’s a
very brave attempt, though, and heartbreaking for her.
The
other issue I have, which isn’t in this trade, is the issue of
Trial
of the Amazons
starring Yara. It’s written and drawn by Joelle and sets up a good
murder mystery, but it’s mostly with Cassie doing the work. Yara
is just sort of in it. I’m kind of sorry I don’t have any other
issues of this, though. It looks interesting. As far as I know,
Yara is just a guest star character in other comics after this.
She’s basically been discarded.
Sigh.
Given how much I like Dani Moonstar, it’s obvious I have a
thing for pretty girls with long, dark hair, who ride a Pegasus.
Suddenly, I wonder if Joelle likes Moonstar, too. Dani is Cheyenne
and Yara is Amazonian, but they are both American Indian. Dani’s
Pegasus is named Brightwind, while Yara’s is named after me.
Do
I recommend this? Yeah. Even with the questionable story, even
though Joelle doesn’t do most of the art, even though the character
has no future, it’s still stunning, if not hypnotic, for the
artwork. Wonder Woman does not need replacing. There were already
two Wonder Girls. But, this was an original and interesting premise
with a charismatic new character. What might have been . . .