I was shopping at Dollartree and decided to see what was left of their $1.25 comics and was surprised to see a whole new display filled with comics. They were also all different than the first batch. There were maybe 30 or 40 titles and there was no screwing around this time with second tier characters; they were pretty much all Superman and Batman related. I had to restrain myself, so I just picked up four from the display and one off the rack from the previous batch.
Crisis on Infinite Earths #1
This one was from the original batch. I’d resisted it a couple of times, since I had bought the comic when it came out in the 80’s, but finally had to have it. While there are reprint volumes available (including a multi-volume reprint that includes all of the tie-ins), it’s hard to beat the issues as they were originally published.
The first issue was memorable for being a full 32-pages with no ads with a dramatic wrap-around cover. Even the inside covers were an essay by writer Marv Wolfman about the creation of this series. It certainly starts off showing the stakes. Earth-3, with its evil Justice League that had been around since the 60’s, was vaporized. A sole survivor, a baby, is sent to Earth-1.
The mysterious Monitor and his blonde assistant, Lyla, had made cameos in various DC comics for a couple of years. They were in the background servicing various villains with weapons and information. Here is the shock reveal that the Monitor has a way bigger agenda. He sends Lyla out to gather heroes and villains for the coming conflict, while he retrieves the child.
Lyla, in her Harbinger form, gathers an eclectic mix of superpowered individuals from various times ranging from WWII, the 30-th Century, and pre-history. Where else do you get Dawnstar, Firestorm, and Arion? You also get Earth-4’s Blue Beetle and Earth-2’s elder Superman. Lyla does ask the obvious question why they don’t just gather all of the Supermen and Wonder Women. Monitor wants the heroes and villains to work together. Also, it makes things interesting and shows the breath of the Crisis. (Later in the series, Lyla does just get the most powerful heroes for a strikeforce.)
There is a perfunctory attack on the group after they are brought together at Monitor’s satellite. (Later in the series, you’ll get a much grander gathering. This is just the opening act.) The unnamed enemy attacks them with shadow creatures. Heroes and villains grudgingly work together, but it takes the appearance of the Monitor himself to stop the attack.
Crisis had lots of action, but I’d say this issue was sort of padding. In fact, the whole storyline was dragged out a bit to stretch it to 12 issues, including a couple of double-sized ones. Other than announcing the Crisis, nothing big happens here, but it is an irresistible hook to the rest of the series. Just for the peak George Perez artwork alone, this one is worth having.
Batman: A Lonely Place of Dying #1
This comic was also from the 80’s. It came out a couple of years after the death of Jason Todd/Robin II. This was not Batman’s proudest era, as Robin was killed off via a 900-number phone poll. (It was close, though.) This storyline would seek to rectify that somewhat, as it would introduce Tim Drake/Robin III. This came out the same year as the Tim Burton Batman movie, which would make this comic and what came before it look somewhat dated.
As is, Drake isn’t introduced in this issue, but is a mysterious person stalking Bruce Wayne and Dick Grayson and knows who their alter egos are. Meanwhile, Batman is becoming reckless and getting hurt worse than usual in his crusade fighting crime. Alfred finally has to say something, but gets no answer. Batman continues his current case with abandon, as Two-Face is back with a new scheme.
If you didn’t know what was coming, you would not be impressed with this single issue. It’s set firmly outside Batman’s current reign as the biggest superhero. Putting an Absolute Batman preview in the back definitely emphasizes that. It’s not bad, but you need the rest of it to make it interesting.
Batman/Superman: Planet Brainiac #1
As opposed to the new World’s Finest title (5-22-26), this title is from the mainline DC universe just without the classic title. This begins with Batwoman and Steel finding the Batcave wrecked and Batman and Superman missing. Flashbacks show that a computer virus turned all the defenses of the Batcave against them and nearly set off the self-destruct mechanism.
It’s Brainiac behind this. A Batman and Superman head off to the moon to investigate a lead and are captured there. Batman sends a message telling anyone finding it to not follow them. Unfortunately, the message is garbled and Batwoman and Steel take this as an invitation. What they’re going to do that the World’s Finest couldn’t do themselves, I don’t know.
This was one was fun on some level. There’s also an Absolute Superman preview, which made no sense whatsoever. As this, some of these Dollartree comics I’ve gotten show that these characters don’t need to be rebooted or reimagined. Just do good stories.
Trinity: Dark Destiny #1
That’s pretty clearly Gal Gadot on the cover as Wonder Woman. This is, I guess, another updated version of the World’s Finest title, but with Wonder Woman added. The trio is teamed up with some of DC’s supernatural squad in Zatanna, Constantine, and Deadman. The threat is decidedly paranormal.
Red Hood (that’s Jason Todd, who was dead, but got better) has been possessed by a demon. The demon is resisting attempts at extreme exorcism, so Constantine has to find a unique way to get into Heck. He has Superman hold open the demon’s mouth and jumps in. (I hope this image doesn’t stick with me too long.)
Bizzaro and Artemis enter the fight and they’re possessed, too. This trio is the Trinity’s opposite number in strength. In a flashback, it turns out they’re part of a plot by Circe and Ra’s Al Ghul, a couple of Wonder Woman’s and Batman’s arch-enemies. (Luthor walked away from this scheme. Perhaps the plan ends up falling apart because they lacked his technical expertise.) It’s a good start for the story. In the back is a short black and white Batman story. He beats up some thugs. It’s not hugely worthwhile.
Action Comics: Revenge #1
This is some heavy-duty Superman here. Don’t let the interlude where he’s with his wife, Lois, buying an apartment to raise their son in Metropolis fool you. Superman is super in this. He has a Himalayan refuge where he stores dangerous artifacts and imprisons villains.
The Superman Revenge Squad has broken out one of the inmates and retreated to Batman’s moon base. (Moon base? Damn.) And these guys are heavy hitters too: Mongul, Cyborg Superman, Metallo, and the Eradicator. They’re about as eager to throw down with each other, as they are Superman.
This almost more comic book than I can take. Unfortunately, it’s also only the introduction, but what a tease! Here’s where I almost have to demand they publish more issues of this. I have to ask, since these comics don’t have their correct numbering, if I bought the DC Universe Infinite subscription that’s advertised on the back, how would I find the next issue?
These comics were all sporting a $4 or $5 price tag on the cover (though in a bag marked $1.25). When I was at Zia Comics the other day looking over their racks, I almost picked up a couple of new comics (in addition to the trade I bought), but the prices were $5 and $6 each! I sort of noticed the last time I bought a couple of floppies (which was when I bought those World's Finest issues). $6 is “too rich for my blood,” as the gamblers say. I could afford it, but I’m not going to.
Basically, if you want a new floppy, these Dollartree comics seem like to the way to go. However, I’m deeply ambivalent about getting more. On the one hand, I’m enjoying most of these, but they’re leaving me blue-balled since they’re just the opening of a continuing storyline. If only they were putting out more issues to complete these stories and/or putting out non-continued issues. I guess the point is to be a tease to buy the online service, but finding the follow up issues could be a bit difficult. I question DC’s strategy here. If they can sell $1.25 old comics and still make money, why not do that? This is only making new comics look really overpriced.





















