This
is a singularly unheroic cover image (even if it is by Barry
Windsor-Smith). I question the use of this image to sell this trade.
In story context, it is what it looks like: the New Mutants are
bullying Empath from the Hellions. What’s worse is that Empath is
wearing that terrible Hellion uniform. Put a pair of legwarmers on
it and you could do an episode of the :20
Minute Workout.
(One of my favorite shows from the 80’s.)
Unlike
the previous review of X-Force, which features slightly older
versions of some of the same characters in a meandering series of
adventures, this volume is all over the place with no unified
storyline. The issues here start with the fallout of Secret
Wars II
and end with the Mutant
Massacre
crossover event.
SWII
was bad, really bad, though the first issue was actually good. The
Beyonder came to earth and an ad hoc group of superheroes confronted
him, but the rest of the series didn’t even come close to that
level of excitement. I vaguely remember that during that series the
Beyonder straight up killed all of the New Mutants. He brought them
back later, but they were severely shaken by the experience.
(I
went back and read that issue on an “archive” site. Magik offers
herself as a sacrifice to the Beyonder to save her friends. He kills
her and then proceeds to brutally murder the rest of them in anger
and then completely erases all memory of them from existence. It was
like a horror comic. I’d forgotten how chilling it was and I
wonder how this got published.)
The
Massacre may have been the first big crossover event. Most of the
crossovers of the time were limited series of varying length. This
one weaved a storyline between the X-Men,
New
Mutants,
X-Factor,
and Power
Pack.
(Power
Pack?
The little kids superhero group? That must have been a directive
from the Marketing department.) Mr. Sinister sent a group of killer
mutants, the Marauders, into the New York City sewers to kill all of
the mutants there, the Morlocks (the non-pretty mutants), for some
reason. The New Mutants got involved at the end of it. There were
some lasting repercussions from this event, in particular, it
indirectly created a spinoff group, Excalibur, with Kitty Pryde.
As
a consequence of being between events, this volume is a bunch of
filler stories, along with a couple of annuals and disconnected parts
of a couple of crossovers. It’s a mixed bag, but it has a couple
of things going for it. It’s all written by Chris Claremont, who
takes this opportunity to really flesh out some of the characters.
Most of the artwork is done by Jackson Guice. His art ebbs and flows
a bit depending on who’s inking it, but it’s mostly great. One
of the annuals is drawn by Arthur Adams which is also great (except
for the story, we’ll get to that).

This
volume picks up with the aftereffects from Secret
Wars II.
The resurrected New Mutants were so despondent that headmaster
Magneto turned the group over to the Massachusetts Academy run by the
Hellfire Club. (Magneto had reformed at this point, briefly, and
Xavier left him in charge of the school.) Rather than join the
Hellions, Danielle Moonstar (Mirage) left the group to return home.
(A cross-country flight on the back of a Pegasus doesn’t seem like
a good idea. Dani also questions this.)
Once
there, she is harassed by a childhood friend who is prejudiced
against her Indian heritage. He ends up in a wreck and she has to
save him. An uncontrolled use of her mental powers reveals that he’s
actually in love with her. As a Valkyrie, Dani tries to keep death
from taking him, but he’s too far gone and has to let him go
without ever really reconciling with him.
Dani
is one of my favorite mutants. This issue spotlighting her might
have helped my favorable feelings towards her. She’s beautiful,
brave, moral, empathetic, and also has some emotional vulnerability,
which occasionally overwhelms her. In the X-Force
trade that I read recently, she was emotionally detached and aloof
and not as interesting. The writer there didn’t entirely seem to
know how to handle her, so he left her enigmatic.
Dani
also has a seething hatred for “the White Man’s society,” as a
proud Cheyenne. While she reminds the people around her of her
heritage, her prejudice doesn’t seem to adversely affect how she
treats everyone, which is a bit odd. Contrast this with James
Proudstar (Thunderbird and later, Warpath) of the Hellions and an
Apache, who is a lot more sure of himself and his background and not
bearing pointless grudges.
Dani’s
attitude is actually Chris Claremont, and to some extent his editor
Ann Nocenti, using a mask to speak their own beliefs. Irrational,
violent prejudice fits into the overall theme of the X-Men and
mutants being discriminated against, but with Claremont this is
personal and part of a larger Agenda. This isn’t the forum for a
more detailed discussion on this, but always keep it in mind when
reading Claremont’s X-Men.
While
the end of the issue teases the next story being called, “Getting
Even,” it’s actually another spotlight story, this one with Sam
Guthrie, the New Mutant’s other co-leader. I’ve never quite
understood Sam and Dani being “co-leaders.” That term is an
oxymoron. The younger kids would defer to them, and Sam usually
defers to Dani (and they end up in a disastrous adventure, but that’s
how we get adventures).
Sam
is awkward-looking and sounding, but more mature beyond his years.
This issue basically features Sam having a fight with his rock star
girlfriend, who’s a mutant that teleports to other planets and is
also a notorious thief of valuable artifacts. Frankly, Sam having a
girlfriend to begin with is the hard part to believe. (Thankfully,
he’s more handsomely drawn when he’s older.)
The
next issue, we “get even” and get a fill-in artist. The New
Mutants go get revenge on Empath of the Hellions for messing with
Magneto and a couple of people who work for the school. (Those two
had previously got turned into Native Americans during the “Demon
Bear” story. Talk about taking collateral damage.) Empath is an
almost irredeemable character, but during the hazing, the Mutants
start having second thoughts. That’s when Thunderbird and the
Hellions show up to rescue him with without incident. James
Proudstar comes off as a very honorable bad ass.
I
wonder if Claremont was auditioning the Hellions as a spinoff series
in their various appearances. Apart from the cartoonishly evil
Empath, the rest of the group was pretty interesting, especially
Thunderbird. With a little nuance, Empath could have been
worthwhile, too. (Their malevolent headmistress, Emma Frost, was
eventually rehabilitated, to some degree, and joined the X-Men.)
Maybe management thought one junior team of X-Men was plenty,
especially one run by the elitist Hellfire Club. Maybe some of the
group was being groomed as replacements. Warpath would eventually
join X-Force.
Nice interlude with Dani during the Legion story at least
Next
is another pointless fight with Legion. Legion goes crazy; the New
Mutants have to deal with him . . . again. This is a villain that
needs to be retired. As part of this story, Rahne’s old reverend
nemesis shows up to call her “a creature from the pit.” This
senseless encounter in a pointless story was the main reason for it.
It’s more of Claremont’s Agenda, though it fits in with the
X-Men’s general theme.
The
next two issues are the New Mutants and the X-Men (featuring the New
Mutants) annuals. Mojo is the villain in both, unfortunately. The
whole Mojoverse/Spiral thing is some sort of social commentary, but
comes off so obtuse as to be nearly incomprehensible. Mojo was
introduced in the Longshot miniseries, which these annuals assume
you’ve read. I don’t remember any of it, except for the great
Arthur Adams artwork.
Basically,
Mojo is an extra-dimensional TV producer always looking for new
action/adventure content. In the NM annual, he kidnaps Psylocke
(Betsy) and uses her to seduce kids into becoming superheroes under
Mojo’s control? (I’m not sure what’s going on here.) The main
reason for this is to introduce Betsy to the X-Men to join the group
(and later become Olivia Munn as a hot Asian ninja with psychic
powers). There seems to something between her and Doug (Cypher),
though I think she’s several years older than him.
In
the X-Men annual, we have what has to be a low-point in the X-Men’s
career. Mojo turns the X-Men into the X-Babies. Art Adams’
incredible artwork is the only thing that keeps this from being total
trash. The main point of this story is to introduce Longshot into
the X-Men.
The
New Mutants have to save the X-Men. They even wear their graduation
costumes afraid that they’ll have to take over for them
permanently. When Adams draws the New Mutants, he makes a slight
change to their regular costumes. The girls have a “V-neck” cut
on their uniforms. Unfortunately, the group’s regular artists
didn’t pick up on this.
“We
were only foolin’” is another Claremont Agenda story fighting the
X-Men’s main enemy: prejudice (usually in the form of a
discriminating White guy, who has no motivation to be so). This
issue features Kitty, who was officially an X-Man, but hung out with
the New Mutants, who were closer to her age. She drops an N-bomb in
her speech at the end. (Did this ever happen in any other 80’s
comic?) Given that she’s Jewish, I’m surprised there weren’t a
couple other epithets added to her list of forbidden words. Still,
it’s a well done story.
The
next issue has the New Mutants peripherally involved in the Mutant
Massacre event and none of them have a good reaction to it.
While trying to find Karma’s little brother and
sister, suddenly Warlock’s father, Magnus, attacks them. He’s
way overpowered for them. Magik attempts to spirit the group away to
her sorcerous realm, Limbo, but Magnus follows them (with dire
consequences in later issues), which forces them to blindly teleport
away. This takes them to ancient Scotland to meet Robert the Bruce
(?). At least Rahne is happy to meet one of her heroes. And this is
where the volume ends.
Magik
gets some spotlight in these final issues. She’s another of my
favorites. Though she has what can only be termed as a tortured
backstory, Illyana’s character is very clear. She’s almost the
group’s analogue of Wolverine in attitude. Magik has an evil
nature but with a noble soul, as noted with her sacrifice with the
Beyonder. (She’s cool and good-looking. Why wouldn’t I like
her?)
In
the large cast of the New Mutants, everyone gets some time, but not
everybody gets a spotlight in this volume. I’d say Karma in
particular gets sidelined pretty badly. Her character never seems to
really get developed in the series. Magma, meanwhile, has such a
silly origin, she’s hard to take seriously, even with her regal
bearing. These two are usually just relegated to a supporting role,
in spite of their impressive powers.

Then
you have Cypher. Doug really shouldn’t be adventuring with the
group given he doesn’t have powers that would be useful in a fight.
(It’s telling that he’s throwing a punch on the cover, but only
after Empath isn’t able to use his powers.) This is constantly
acknowledged, but he often comes to the fore in various stories. Is
he supposed to be an “everyman” character that readers can relate
to in the midst of superpowered beings? Somewhere in the future, he
becomes overpowered, which completes the mistake of his creation.
Doug should have been a cautionary tale about sending helpless
characters into combat. After being tragically permanently injured,
he should have been barred from leaving the mansion for missions.
So
did I like this? This isn’t the best group of New Mutants stories.
It’s all over the place and those places aren’t interesting.
(Medieval Scotland in a superhero comic?) For me, at least, it’s
seeing the characters, many of whom I really like. I’d have to
pick the first issue with the spotlight on Dani as my favorite, just
because I like her. The X-Men annual with the Arthur Adams artwork
is certainly the best to just look at. The earlier Bill Siekiewicz
issues are likely the series creative high point, along with the Rick
Leonardi issues. (Legion and Warlock are clearly Bill’s characters
with his unique artistic design. They should have been retired when
he left the comic.) You can pass on this volume without really
missing anything.