Didn’t I mention something about comic book magazines? Well, here you go. In this case, I happily picked this up on the
Barnes & Noble magazine rack over the weekend. The cover is a bit too dark, but it’s
otherwise alluring. I haven’t seen the
new Sabrina TV show, but the actress is a dead-on ringer for the comic book
character. (Other than she looks about ten years older than a high school
student. It’s like the later years of
the Melissa Joan Hart show. They
desperately wanted to change the no-longer-applicable-name, Sabrina the Teenage Witch, but weren’t
allowed to.) Inside, the 120+ pages are unfortunately
printed on poor pulp. The material
inside is all reprints and promotional pictures. It may be a bit overpriced at $10.
Still, I’m happy with the purchase. Sabrina is this character everyone likes, but
it’s hard to pin down exactly why. The
character is simple in appeal, but that appeal is complicated in actual
execution. Really. I casually thought I could write up a quick of
review of this. No chance. Sabrina is a complex character when taken in
over the many years of her existence.
Sabrina started in a straightforward enough manner. George Gladir and Dan DeCarlo created an attractive
teenage witch for a short story in an anthology comic as a submission for a
continuing character. This famous story
is, of course, included in the magazine.
Obviously, the glamorous way Sabrina is drawn catches the eye. She has minor magical powers that cause amusing
trouble. That concept has successfully
been used in other places. Lastly, she’s
mischievous, but has a good heart. It’s
so simple, but allows for all sorts of interpretation.
The various iterations of Sabrina have varied
greatly. You can see that just in the
pages of the magazine. It’s almost
schizophrenic even. There are pictures
from the current horror TV show. There’s
Sabrina’s origin from the disturbing Chilling
Adventures of Sabrina comic that inspired it. There’s the classic version from the 60’s
comics and the somewhat languid 70’s and 80’s interpretations.
There’s Holly G’s fun and likable version that I think
came after the 90’s TV show.
Here’s Dan Parent’s version where Sabrina was going to a
supernatural high school. I didn’t even
know about this concept.
Here’s an Adam Hughes’ Sabrina cover.
Lastly, and the main reason I bought this, they reprint
the current comic book version of Sabrina.
The Veronica Fish artwork speaks for itself. The story was good, albeit way too familiar
in the use of certain modern high school comic book tropes. (Was every female comic book writer bullied
in high school, along with having a fat ethnic best friend who is probably an
author self-insert?) I’m tempted to pick
up the trade of this when it comes out.
In the back, there was also a text excerpt from a YA novel based on the
new TV show. You have to applaud the
magazine for covering so much ground.
The text pieces inside where promotional and fluffy, but
actually had a quite a bit of information on the character. (They did politely sidestep what happened to
Harvey in the Chilling comic.) There are
plenty of other versions of Sabrina. Noted
Jughead artist, Harry Lucey did a version of Sabrina (as shown above, these aren't my scans by the way, I don't own the comic). Comics from the 90’s show and follow up
cartoon show aren’t represented here.
I’m a bit surprised, since Melissa Joan Hart’s show has to be the most
popular expression of Sabrina. (Surely
Archie owns all the rights to those.)
There’s the 70’s animated shows, where Sabrina interacted with the
Archie gang, had a solo show, and the Groovy
Ghoulies show (which I saw, but don’t remember). Her look, and especially her voice, were
irresistible.
Sabrina was also in a horror comic in the 70’s. Also around that time, there used to be a
yearly Sabrina’s Christmas Magic
title. There were supernatural adventure
stories in the 80’s. (I haven’t seen
those.) There was an animated show that
I never saw in 2014. (I think it was
computer animated.) Tania del Rio
produced a heartfelt manga version in 2004.
She’s shared a title with Jughead recently, and currently, she’s in a
romance with Archie. (Do those guys mind
sharing the same girl?) Sabrina had a
major role in the zombie horror series, Afterlife
With Archie.
I reviewed a small trade version of the manga Sabrina on
an Archie comics fan site. (All of my reviews and pictures I posted
there disappeared in a server crash on their end.) I wish I had all of the full trade paperbacks
of this. Here’s an excerpt.
I will
sum this volume up in three words: labor of love. Tania del Rio clearly has love and respect
for the Sabrina character and has married it with her enthusiasm for the manga
style of art and storytelling. There are plenty of teen girl witches in Japanese
comics, so it's really a natural fit. [I wonder if the entire magical girl genre in
Japanese manga was actually inspired by Sabrina. It’s not improbable. The whole manga industry was inspired by
American comics after WWII.]
I also reviewed some of Sabrina appearances in The Best of Archie Comics #3.
2000’s
Fernando
Ruiz could not resist himself transferring the Archie gang from Archie’s Weird
Mysteries into a Scooby Doo-like mystery, A Familiar Haunt. It wasn’t quite a straight-on parody or
homage though, since Weird Mysteries seemed to mostly take its cues from the
X-files or Kolcheck the Night Stalker.
Frankly, I thought the mystery-supernatural angle worked reasonably well
as a setting for the gang. An even
better fit was Sabrina as a manga magical girl.
I was pleased to see Tania Del Rio’s version represented here in the
heartfelt, Spell It Out.
2010’s
The
reason I bought this book was because I’d missed getting Jughead #200 when it
came out. Something Ventured,
Something Gained was indeed suitably grand for this anniversary, a bit
preachy, but awesome. Jughead is
magically tempted out of his prodigious metabolism and his friends start losing
their best traits trying to get it back.
Rex Lindsey’s art was excellent.
I was also eager to read The Great Switcheroo, where the gang is
gender-flopped. I’m a big fan of
Gisele’s artwork and it doesn’t disappoint here. I’m not sure I got whatever the point was supposed
to be of Tania’s story, but it was fun anyway.
The Jughead #200 story is important in that this is where
he found out that Sabrina is a witch.
This became a running issue in following stories. It led to what happened in the Afterlife
series. The Switcheroo story was caused
by Salem, Sabrina’s cat. The cat might
have been the most popular character in the 90’s TV show, so he’s become much
more prominent.
I’ve liked some versions of Sabrina and disliked
others. I’m sure other people have different
opinions. A lot of the comics,
especially from the 70’s and 80’s were not good. I don’t like the horror stuff at all. The 90’s show was more Melissa than Sabrina
in terms of likability. (The cat was
also great). Manga Sabrina was probably
the best written and conceptualized version, but, while the artwork was
wonderfully expressive, it didn’t look like the classic Sabrina everyone likes.
Putting a bow on this is going to be difficult. There are few fictional characters that have
undergone this many permutations and still remained popular (Batman namely). None of these versions are actually that far
off from that original story from the 60’s.
They just vary widely in tone.
Considering also the varying quality of the comics and shows, you have
to conclude that Sabrina’s concept is greater than the sum of its parts. I have a hard time actually pointing to
Sabrina material that I really like and yet I love the character. I suspect I’m not the only one.
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