Conan
the Barbarian Epic Collection Vol. 3, The Curse of the Golden Skull
I saw this at Zia Comics the last time I was there and
balked at the $40 price tag. After my
last disappointing trip for comics, I decided I wouldn’t screw around
next time and I’d just buy what I really wanted. So, I basically went into the store for this.
I have some relationship with Conan. I had a couple of random issues that I liked
as a kid, before getting a subscription in the 80’s, which I enjoyed. I later got a couple of large black and white
reprint volumes of the Savage Sword of
Conan magazine. Thrillingly, two
issues featured spectacular bare-breasted women. (Apparently, somebody caught on after that
and told them to stop. Curses!) I’ve also read some of the REH stories (which
are in public domain) and seen the movies (even the most recent one).
This volume features 16 issues in full color, mostly
written by Roy Thomas and drawn by John Buscema. There is continuity between the stories. Conan is nominally working for a Turanian
king, though mostly really for himself. Late
in the book, Conan wearies of the courtly intrigues and leaves. (Would that we could all do that at our
jobs.) Some of the stories are REH
adaptions, there’s a couple of fantasy stories repurposed as Conan stories, and
the rest are originals.
The
steely-eyed New Mexican keyboard warrior took up his favored instrument of
literary criticism. The writer and the
words were one as he swung into battle.
He knew that one misstep on the Internet could be his last, but he only
heard the song of trolling in his heart.
I hope you like breathless descriptive captions in your comics, because you’re GD gonna get them in this volume. Unlike a modern comic, which takes five minutes to read, you will have to chew through each page of these text-heavy comics—the way God intended. The stories all kind of ring familiar, though. You can freely mix the elements of women, treasure, wizards, lost cities, monsters, rivals, random warriors, sidekicks, and bandits and come up with a plot.
Sometimes the women are victims and Conan’s protecting
them. Other times, they’re bad, or
goddesses in disguise, or man-eating aliens.
Doesn’t matter, he doesn’t get any of them in the end, even the ones he
rides off with at the end of some of the stories. I must complain here. Most of the covers feature a fainting damsel. #35 does, but there were no women in that
issue. That was false advertising.
He also doesn’t get rich here, even when confronted with a
multitude of treasures. This is a more
experienced Conan. He’s learned better
than to try and make off with cursed jewels.
So, he doesn’t get rich or the girl in these stories, but things turn
around for him later in life.
The centerpiece story was a four-part trip to Khitai. It was a fantasy story adapted for
Conan. In this, he’s tasked to scout a
city for future invasion. It goes poorly
and he’s even badly cheated in the end.
However, my favorite story was by guest artist, Neal Adams (pictured
above), issue #37. It’s a lively mad
wizard/monster/rescue the princess tale.
Overall, it was a bit too much of the same thing for each
issue. It might have been the desert
setting for most of the stories that made it feel a bit less exotic. There wasn’t quite enough variety in the
types of stories. I’d like to think
Conan is a bit more than a one-dimensional character, though he is mostly shirtless
and wearing kind of a loincloth wherever he is, no matter how out-of-place or
inappropriate the wardrobe. I recommend
the character of Conan, but not so much this volume.
I don’t understand where I went wrong on this trip to buy
comics. The other times, I knew I was
taking a risk with some new weird comic or even a new mainstream comic (and
I’ve done this over-and-over again and keep getting disappointed), but I thought
surely the older comics I was getting this time would work out. At least the Conan would have to be
entertaining, right?
I’d swear off buying more comics at this point, except I actually have an Archie trade coming in the mail. (It should look good with some classic material.) I keep considering getting those $100 Kull and Conan hardbacks at Zia Comics, but this trade really makes me rethink that. (Kull is a somewhat more interesting character than Conan, frankly.) It’s almost not the money spent on the comics; it’s being disappointed by them that’s hurts more. I will have to be more circumspect about what I buy in the future. I’m tired of writing bad reviews.
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